top of page

[ Since 2012 ]

Rhythm Starz Dance Club

PosterMyWall generated image

VISION

RSDCI is committed to encouraging all dancers to strive for excellence and enjoy the journey along the way. We believe each dancer has the ability to increase her/his physical, emotional, and intellectual well-being through our dance program. Our goal is to provide quality dance instruction through caring, professional instructors in a friendly, family-oriented atmosphere. RSDCI promotes strong self-confidence, self-respect, discipline, and appreciation through the fine arts of dance. We inspire every dancer to find the creativity inside herself/himself as "we dance to tell a story" each year.

MISSION

RSDCI short-term vision is to expand our fine arts programs based on our community’s continue interest in dance and physical fitness. Our vision is determined through the eyes of our dancers. We plan to take our program as far as our dancers can dream. RSDCI long-term vision is to inspire our community with non-competitive dance education and offer many performance opportunities in a facility that will motivate, educate, and develop an appreciation of the fine arts. We will build a facility where dancing dreams are shared throughout our community. It is through our mission and vision that RSDCI will create "change" in our world's future through our dancers. We will strive for excellence and accept only positive thinking.

Meet Our Instructors

Studio photography of a man in a black cowboy hat and formal vest, gesturing with his arms wide open. The backdrop features elegant, abstract golden waves and shimmering lights.
Theo Williams
RSDCI - Studios : Manager
Studio photography of a dancer in a vibrant yellow and black performance outfit posing gracefully. The background features dynamic, glowing gold light waves with a magical, elegant atmosphere.
Lize-Marie Williams
RSDCI - Pretoria East: Teacher
Studio photography of a dancer in a white ballroom dress and boots performing. The background features ethereal gold light waves and sparkles, creating an elegant atmosphere.
RSDCI - Centurion & Montana: Teacher
Alex Pashkin

Team

FOCUS

Key Achievements in a Dance Studio

  • Synchronized Technique & Precision: Master complex spacing, clean transitions, timing, and unified movement quality that audiences feel during a performance.

  • Choreographic & Artistic Creation: Develop original group routines, blend multiple dance styles (such as contemporary, ballet, or hip-hop), and experiment with visual angles and storytelling.

  • Physical & Athletic Growth: Build collective cardiovascular endurance, core and limb strength, flexibility, agility, and balance through structured drills.

  • Teamwork & Trust: Strengthen communication, group unity, mutual accountability, and leadership skills that translate outside the studio.

  • Performance Readiness: Prepare polished pieces for regional festivals, local showcases (such as community events in Gauteng Dance Studios / Stage Quest), or competitive stages.

  • Resilience & Mental Focus: Practice handling pressure, processing constructive feedback, and recovering seamlessly from mistakes together

PosterMyWall_GeneratedImage_8dd57e2f.png
The Team

RSDCI Branches

Pretoria East

Address: 640 Rutgers Street, Moreleta Park

Contact Person: Theo Williams

Cell No: 071 673 0807

Email: rsdci@outlook.com

Website: www.rsdci .com

​

Centurion

Address: Beverley Hammond Dance Studio, Shop 22, Doringkloof Mall

Contact person: Theo Williams or Alex Pashkin

Cell No: (Theo) 071 673 0807

              (Alex) - 082 894 7323

Email: rsdci@outlook.com

Website: www.rsdci.com

Montana

Address: 650 Veronica Road, Montana

Contact person: Theo Williams Or Alex Pashkin

Cell No: (Theo) 071 673 0807

               (Alex) 082 894 7323

Email: rsdci@outlook.com

Website: www.rsdci.com

LINE DANCING

Explore six lively styles that bring rhythm, movement, and enjoyment to every social dance floor.

RISE & FALL

Foxtrot: smooth, flowing movement across the floor. Quickstep: fast, light, and full of syncopation. Viennese Waltz: continuous clockwise and anticlockwise turns. Waltz: graceful gliding, expressive turns, and elegant rise and fall.

LILT

East Coast Swing: a lively social partner dance with single, double, and triple swing. Jive: energetic, syncopated triple steps. Polka: a spirited Czech dance. Samba: Brazilian rhythm with bounce, cross-rhythms, and expressive hip action.

SMOOTH

Nightclub: a relaxed quick-quick-slow partner dance. Tango: earthy, dramatic, and sharp. Two-Step: a progressive partner dance led around the floor. West Coast Swing: smooth, sensual, slot-based, and open to improvisation.

CUBAN

Cha Cha: compact, staccato steps with Cuban roots. Rumba: a slow dance with smooth hip action. Mambo: feeling the music through the body. Salsa: energetic quick-quick-slow rhythms inspired by Latin music and dance.

FUNKY

Funky or Street style highlights expressive footwork and body movement inspired by Hip-Hop, Break Dance, and Krump.

NOVELTY / STAGE

Novelty and Stage style focuses on performance, storytelling, and showmanship, drawing from lyrical, jazz, modern, and ballet.

Country Couples Dancing

  • Two Step

    The Two Step as it is danced today may have descended from the "Collegiate Foxtrot," the parent dance of the Texas Two Step. Over time, the dance was called the Country Foxtrot, and square dancers merged into the Country Western Dance Community. The Two Step was traditionally danced by bringing the feet together on each step, as in a Polka Triple Step. However, since it is now done as a progressive dance moving around the floor, dancers pass their feet on each step to keep it flowing smoothly. The timing is Q Q S S, although Two Step is sometimes counted as two slows followed by two quicks.

  • Waltz

    The Waltz is the oldest of the modern ballroom dances, dating back to 18th Century Germany. In the United States, the Waltz was introduced in 1834 in Boston. At the close of the 19th Century, a slow waltz called the Boston had developed, later evolving into the style still danced today. Another style, The Hesitation, used one step for three beats of music. Hesitation steps are still commonly seen on the dance floor. The Waltz has become a timeless dance, possibly because of the beauty and appeal of music in ¾ time, and because its steps have such a direct relationship to the music. Country Western versions are more relaxed, featuring mostly progressive step patterns.

  • Polka

    The origins of Polka have been traced to a young peasant girl in Czechoslovakia in the mid-19th Century. The Polka is the only 19th Century European dance to have survived to the present. Its popularity led to a wider acceptance of the closed dance position in Waltz, and these two dances are still widely danced today. As Czech and Polish immigrants settled in various parts of the United States, their dance steps adapted naturally to other types of music. The Polka can be danced to music in 4/4 time as well as 2/4, traditional Polka, so the dance regained popularity because of its suitability for Country Western rhythms.

  • Triple Two

    The smooth style Triple Two Step we know today is quite different from its ancestors developed twenty to thirty years ago. The original version was a Polka rhythm style dance developed in the Dallas, Texas area and known as the Double Two Step. Other areas called it different names. In Virginia it was known as the Norfolk. In the mid-west and Canada, it was called Swing on the Run and/or Swing on the Move. The walking steps were eventually put at the beginning of the basic and became counted as 1-2, 3&4, 5&6: walk, walk, Triple Step, Triple Step. Over time, the UCWDC made progress in creating an updated, smooth, flowing Triple Two, a dance anyone can do regardless of age. They eliminated the Lilt and developed a beautiful dance that is romantic and sweet in nature.

  • Night Club

    This dance was formalised by Buddy Schwimmer in the 1960s and developed from slow dancing in nightclubs, with a swaying motion.

  • Cha Cha

    The dance called the Mambo, first performed in New York around 1950, soon evolved into a very fast dance known as the Triple Mambo. For the average social dancer, the movements were too fast. As a result, the dance underwent minor modifications. The tempos were slowed and the triple count used a three-step change of weight footwork. Thus, the Cha-Cha as we know it was born.

  • East Coast Swing

    East Coast Swing developed from the Jitterbug, which in turn was influenced by the Charleston in the 1920s. The Jitterbug came to prominence in the 1950s when the dance was performed to popular Big Band music.

  • West Coast Swing

    West Coast Swing derived from the Lindy Hop in the USA in the 1940s. It developed in the 1950s and was originally called Western Swing; the name changed to West Coast Swing in the 1960s. It became the official dance of California. To distinguish between the two types of Swing, basic Swing was called East Coast Swing.

GET IN TOUCH

bottom of page